Scott N Andrew

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February 17, 2015

GAY WAX MUSEUM!

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Wednesday (2/18), 8:15pm, Salvage Vanguard Theater

The grand unveiling of the world’s first ever GAY WAX MUSEUM! Meet the artists & celebrate with music & libations!

Curated by Silky Shoemaker, this is a 16-artist group exhibition of life-size dioramas depicting the marvels, despairs, ecstasies, triumphs, bloopers, possibilities, and cummings-together of queer life as we remember, imagine, and create it.

Featuring: Paige Gratland, Annie Danger, Kale Roberts & Diana Parker, Nathan Rapport, Baris Ger, Aaron Flynn, Niki Paul, Ben Aqua, Kannou Aiana, Dandy Vagabonds, Kubby Bear, Sailor Holladay, Kate Robinson, & Heather Hall, Caitin Rose Sweet, Zeph Fish, PJ Raval, Elia Decai Singer, Scott Andrew, Mollie Fischer, and Silky Shoemaker

February 9, 2015

Black Mirror

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February 13th, 2015 - April 4th, 2015 @ Galerie L'Axolotl

https://www.facebook.com/cabinetdecuriosites.laxolotl?fref=ts

«If it’s a drug, what are its side effects ? Black Mirror lies within this zone, somewhere between joy and perdition.» - Charlie Brooker, creator of the «Black Mirror» series.

This zone, whether physical or ideological, enables artists to deliver their view, their observations, of our society. «Black Mirror» is an exhibition which stages visions either hallucinatory or fantasized, as expressed in the melancholic images of Nagi Gianni or the kitsch and absurdity of Scott N Andrew ; «Black Mirror» is unclutteredness and pessimism in the guise of Patrick Lacroix, but also humour and derision with the installation of Alain K stuck in his apartment. «Black Mirror» is then a zone of violence and excess, with Federico Solmi’s saturated images, or the frenzy and extravagance of Jon Rafman’s flow of images. This vision of society provided by the works on display focuses on everyday life that submerges the spectator in an overload of images, re-examining his relationship with reality and his ability to detach himself from this flow of information. «Black Mirror» is thus a dystopian, almost apocalyptic view of the omnipresence of screens in our living-rooms or pockets, on our desks and every shiny black wall ; they diffuse or reflect our society. Whether on or off. -Yann Lasserre

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